Jewelry Making Software
Jewelry Making Secrets
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The perfume Halston was another of the company's lucrative undertakings. Within two years of being introduced in 1975, Halston was the second biggest selling scent in history. The teardrop-shaped bottle was the creation of jewelry designer Elsa Peretti. By the 1980s, the perfume had lost its cachet due to excessive licensing of the Halston name and indiscriminate distribution.
Piercing shop that seemed a natural outgrowth of the jewelry business, in Los Angeles in 1975. Gauntlet shops in other major cities opened in succeeding years. Later he began the journal PFIQ (Piercing Fans International Quarterly), an important source of both information and community for those interested in body piercing. Mr. Sebastian, likewise taught at first by Malloy, was more secretive with his techniques, but was widely known as a piercer. For both, the initial clientele was largely gay men from the sadomasochistic (s m) community.
The middle years of this time period were punctuated by the antifashion of the hippies, or people who rejected society's conventional customs and embraced free personal expression. Although hippies were relatively few in number, they brought natural, homemade adornment and political symbols into the limelight. Both men and women tucked real flowers behind their ears and wore homemade jewelry. Many wore strings of love beads around their necks, peace symbols, and buttons protesting the
In the 1810s and 1820s, the trend toward lighter and more delicate jewelry continued, and settings of gold filigree or elaborate wirework (known as cannetille) were very popular. In the 1820s, a romantic interest in the past also inspired jewelry designers to revive historical styles from the ancient world to the eighteenth century, and a modified version of the girandole earring returned, along with elaborate gothic tracery and rococo-revival scrollwork. As hairstyles became more elaborate in the 1830s, earrings became more prominent, with small tops and long drops reaching nearly to the shoulders. In spite of their size, these earrings were fairly light in weight, owing to lightweight settings of gold cannetille or of repouss (embossed relief raised from behind with a hammer), which had largely replaced cannetille by the 1840s. Earrings with long, torpedo-shaped drops of carved gemstones with applied gold filigree were also popular, many with detachable drops to allow the tops to be...
A second example of Tiffany and Company's innovative merchandising was the creation of the design director position. Since the death of Louis Comfort Tiffany in 1933, the company had been without a tastemaker, and Hoving, believing there should be a policy maker for design decisions, as well as for production and finance, hired Van Day Truex, who would be Tiffany's design director from 1956 to 1979. Truex not only redesigned Tiffany's china, crystal, and silver merchandise, but also recommended that the company hire the world's best-known jewelry designer since the late 1930s, Jean Schlumberger. This alliance became one of Tiffany's greatest triumphs.
Braids have been used for ties such as stay lacing, shoelaces, and points to secure clothing as braces, belts, and garters for ceremonial pieces and those with specific meanings such as military braids, and for decoration as in the Miao silk work from China and Khajuja work from the Middle East, while in Peru very old and varied patterns are used to make slings. North American First Nations produced long, wide sashes and belts, often with beads and cross-fertilized with European techniques and ideas. Braids are still being used for some of these things although in the early twenty-first century, braids for costumes in the Western world are either mass produced or made as individual pieces by skilled makers. Ply-split, a technique originally used mainly, but not exclusively, for animal regalia in India, is being developed for highly decorative accessories, such as belts and bags, for neck pieces, bracelets, and even whole garments. There are also many developments in making jewelry...
When making jewelry, Native Americans selected materials for their spiritual or magical qualities. Animal claws, crystals, shells, sticks, cornhusks, beads made of grass seed, dried rose hips, silver-berries from silverberry shrubs, and later metal and glass beads, among other things, were used to create necklaces, bracelets, armlets, and earrings, as well as many other unique adornments worn by both men and women. Hunters of northeastern and other tribes would adorn themselves with animal parts, wearing antlers, hooves, fur, and bones to gain strength and protection from the animal's spirit. Among the Plains Indians, for example, a necklace made of grizzly bear claws was worn by a man to honor his killing of the great bear. Bear claw necklaces, sometimes strung alternately with human finger bones, were also prized among the tribes of the Great Basin, a desert region in the western United States that comprises parts of Colorado, Utah, and Nevada.