Poiret was involved for the duration of the war as a military tailor, and although he occasionally made news with a design or article, when he was demobilized in 1919 he had to relaunch his fashion, decorating, and perfume businesses. His first collection after the war, shown in the summer of 1919, was enthusiastically received and fashion magazines like Harper's Bazaar continued to regularly feature his luxurious creations, typically made in vivid colors, lush-patterned fabrics, and trimmed lavishly with fur. Poiret's work perfectly suited the first part of the 1920s. The dominant silhouette was tubular, and fairly long, and most coats were cut on the full side with kimono or dolman sleeves. Such silhouettes were perfect for displaying the marvelous Poiret decorations, either Martine-inspired or borrowed from native clothing around the world. He continued to occasionally show such previous greatest hits as jupe-culottes and dresses with minaret tunics. In 1924 he left his grand quarters in the avenue d'Antin, moving to the Rond Point in 1925. He would leave that business in 1929.
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