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Total Money Magnetism

Total Money Magnetism is developed by Dr. Steve G. Jones who is a clinical Hypnotherapist and Neuro-Linguistic Programming (NLP) Master Practitioner since 1980s. He was a financially weak person struggling to pay his debts, somehow perceived an unusual guidance from a friend after which he became a self-made multi-millionaire, featured in Forbes magazine, People magazine and a lot of articles and radio interviews, and his clients include Hollywood celebrities, directors, CEOs, executives, and sports athletes. That guidance was 6 step secret method to develop a millionaire's brain which he explains in detail on this online interface. Actually, a poor person's brain is stuck in the same scratch while rich man's brain is well mapped and has the neural strength to always develop money making ideas. So Total Money Magnetism uses scientifically proven methods to effortlessly transform the programming of the brain to remove mental blocks, develop wealth pathways and build connections. This platform offers The Skill of Money Magnetism e-book, a valuable and inspirational audio track by Steve G. Jones himself, The Millionaire Mindset, which is an exclusive interview with many self-made millionaires, Mark Ling's 3 fastest ways to make millions online, and Platinum Millionaire Mind Makers, which are three proven and tested audio tracks to steadily and unconsciously reset your mind to become attractive to wealth. More here...

Total Money Magnetism Summary


4.8 stars out of 23 votes

Contents: Online Course
Author: Dr. Steve G. Jones
Official Website: totalmoneymagnetism.com
Price: $47.00

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My Total Money Magnetism Review

Highly Recommended

Of all books related to the topic, I love reading this e-book because of its well-planned flow of content. Even a beginner like me can easily gain huge amount of knowledge in a short period.

My opinion on this e-book is, if you do not have this e-book in your collection, your collection is incomplete. I have no regrets for purchasing this.

The Manifestation Millionaire

How to achieve success in life and in business is the focal point of everybody since elementary school until reaching the age of 60th. This book the manifestation millionaire present a vast variety of techniques that help the readers to develop their desire to transform into successful business figure and it presents a lot of techniques and methods to support the reader in their journey towards earning a six-figure income. The author of the book Darren Reagan explains how he raised from the bottom of failure to the highest of success using these methods presented in his book. The the manifestation millionaire will teach you the positive thinking and will teach you how the positive thinking is the real working method to use in order to break through your obstacles and be wealthy and successful. Any reader should be well skillful in kicking the negativity from his life just after few chapters and should be able to achieve his goals and become wealthy after applying the techniques and method in the book. I really like the variations in the manifestation techniques because it makes you comfortable choosing the best technique suits you and apply it to become a wealthy person. More here...

The Manifestation Millionaire Summary

Contents: Ebooks
Author: Darren Regan
Official Website: themanifestationmillionaire.com
Price: $39.95

Egyptian Body Decorations

Egyptian Queen Headdress

ncient Egyptians took great care with their bodies, from the way they dressed to the ornaments that they wore. The many ways that Egyptians decorated their bodies reveal their fascination with appearances. Caring for the skin was very important, especially to wealthy people. Egyptians washed their bodies often using fairly harsh soaps that stripped oils from the skin. To soften their skin they used a variety of ointments and creams. These might contain scents to perfume their bodies. The Egyptian climate was very hot, and many Egyptians shaved their heads and their facial hair. Presenting a smooth, almost polished body surface was considered a sign of high status. Historians believe that the Egyptians may have invented some of the world's first grooming products, from deodorants to toothpaste, in order to improve their smell and appearance. over the chest by a chain around the neck) that both men and women wore on their upper chest, under and around their neck. Many other forms of...

The twentyfirst century fashion consumption environment

2 The increase in individual consumer wealth and wealth-creation opportunities. A mass class of wealthy people have emerged the world over. At the beginning of the century, luxury consumers were a small segment of the global population. In the last four decades, however, an immense amount of wealth has been accumulated by individuals due to several economic, social and technological breakthroughs. Consumers are making money at younger ages, and they are also spending their money in a different way. They continuously have a penchant for luxury goods because as people get richer, they tend to spend proportionately less on necessities and more on luxuries. These luxuries include fashion, travel and property. In Europe, for example, the buoyancy of the luxury market is being driven by a steady increase in household income and the value of the property market. These newly wealthy consumers have replaced the traditional aristocratic consumers of luxury goods. 3 The increasing spending power...

A different fashion landscape

The transformation of the luxury scene has been due to several factors. First, a mass group of wealthy consumers has emerged throughout the world. In the last three decades, a vast amount of wealth has been amassed by individuals due to several economic, social, and technological breakthroughs. This has created a multitude of wealthy people. For example, twenty years ago China had no middle class but, presently, the growth rate of the country's upper-middle class and young urban professionals is among the highest in the world.

Costumes And Fashion Of Ancient Greek

Sketches God Apollo

Early Greek sandals were made from a stiff leather or wooden sole to which leather straps were attached. These straps usually went between the wearer's big toe and second toe and around the back of the ankle to hold the sole firmly to the bottom of the foot. Much of the individual design of these sandals was created by the different ways the leather straps wrapped around the foot and ankle. Wealthy people wore soft leather sandals, sometimes dyed in various colors. The very wealthy sometimes even had gilded sandals, or

Ancient Greece Goddess Of Love

Ancient Greek Man Love

Early Greek sandals were made from a stiff leather or wooden sole to which leather straps were attached. These straps usually went between the wearer's big toe and second toe and around the back of the ankle to hold the sole firmly to the bottom of the foot. Much of the individual design of these sandals was created by the different ways the leather straps wrapped around the foot and ankle. Wealthy people wore soft leather sandals, sometimes dyed in various colors. The very wealthy sometimes even had gilded sandals, or

Ganibesons Jacks and Brigandines

Examples Lettering

Defences as jacks - although we also read of 'jakkes stufyd (lined) with horn' and of 'black lynen stuffyd with mail'. Those consisting of small plates riveted between layers of cloth are termed brigandines. Pourpoints, arming doublets and arming coats might be jackets displaying heraldic charges, or padded protective or foundation garments worn beneath armour or to support the hose. Wealthy men sometimes combined such protection with fine fabrics,

Headwear of the Middle Ages

Medieval Bowl Haircut

By late in the Middle Ages, especially after the twelfth century, women's headwear became very elaborate. Two of the most dramatic headdresses were the steeple headdress, which was shaped like a tall dunce cap and adorned with a veil, and the ram's horn headdress, which featured two conical horns that stuck off the side of the head. Wealthy women competed with each other to see whose headdress was the most extravagant. Perhaps the most extravagant of all was the butterfly headdress, a steeple headdress that was adorned with starched and ironed linen wings in the shape of a multi-winged butterfly. The size and bulk of these headdresses made any activity difficult, but then little activity was expected of women during this period in history.

The Function of Couture Clothing

Overall the couture industry flourished in the 1880-1914 period. The consumer base widened. Paul Nystrom noted that Jeanne Lanvin was finding clients in Argentina through a successful branch outlet in Buenos Aires, whilst the house of Paquin was already selling 'to masses of wealthy women formerly not participating in the main currents . . . through developing sales outlets in a big way to department stores and to wholesalers for resale to dealers'. Illegal copying by private dressmaking salons was already a problem. Callot Soeurs took pirate companies to court, (they were usually private fashion houses till 1915) and then permitted buyers the right to reproduce, for a

Licensing methods and results

Pierre Cardin's venture into licensing deals arose from his vision of 'dressing the man and woman on the street with creative and affordable fashion goods'. He has famously said that he wants to work for ordinary people and not only for wealthy people. He also had the vision of creating a mass global luxury fashion market and influencing the lifestyle of this market through his offerings. He could also have embarked on licensing agreements as a result of dissatisfaction with the aristocratic nature of the luxury goods sector. Pierre Cardin justified the rampant licensing of his name with statements relating to his interest in bringing high fashion into the sphere of consumer goods. He also indicated that he would continue to license his name to different products, including toilet paper, because he could dress himself and his house and his lifestyle all in Pierre Cardin-branded goods. This implies that the level of consumer adoption of the brand would follow the path of the following...

Pattens and Pantofles

The sixteenth century was not known for its practical footwear. The shoes that most wealthy people wore indoors were either very delicate, perhaps made of silk or velvet, or very cumbersome, like the extremely high chopines worn by women. When people wanted to walk outdoors they turned to practical footwear like pattens and pantofles. Pattens were a heavy-duty outer shoe, usually made out of wood, that strapped on over the top of regular shoes. Some pattens might have a wooden sole to which was attached a metal ring several inches tall that elevated the wearer above the mud and dust of the street. Pantofles were much more delicate, resembling the garden clogs or scuffs (flat-soled slipper) of the modern day. They usually slipped on the foot and had a cork sole. By the end of the century pantofles were made of materials nearly as delicate as indoor shoes and could be highly ornate. Still, they offered protection for the feet, their main purpose.

Bridal Fashion Shoots

Fashion Photography Makeup Extravagant

I offer these shoots free of charge because I want to be able to use these images for the final album and sell them as large prints. Obviously, these shoots are not actually free, but I work them into the price of my premiere bridal packages. The more must have images I have to work with, the bigger the album I can sell and the more money I can make. These images are often the most treasured and are often purchased as large canvases or prints. I'd rather forego extra sitting fees and instead be able to sell stunning images. Also, because the bride knows that I set aside another day for high-fashion portraits, it relieves some stress on her wedding day. If someone is late or the weather is bad, it is not a crisis. I still have another day to focus my fashion shoots on the bride and groom.

Sixteenth Century Body Decorations

16th Century Clothing For Poor People

The personal grooming habits of people in the sixteenth century seem strange to us today. On the one hand, wealthy people took great care with their hairstyles and, in the case of women, with their makeup. On the other hand, the practice of bathing was infrequent among even the wealthiest people and quite rare among the poorer classes. Europeans in the sixteenth century simply misunderstood the nature of disease and believed that they could get sick if they used water to clean themselves. Other than this odd belief, Europeans from this period took great care with their appearance and with the accessories that they chose. were expensive, however, and even the king seldom used them. Instead, most of the royalty and nobility concealed the smell of imperfectly cleaned bodies with a variety of strong perfumes. Most wealthy people carried bottles of perfume, pomanders (scented jeweled balls), or scented handkerchiefs with them at all times. The poor simply smelled. The jewelry,...

Sixteenth Century Footwear

16th Century Men Costume

Most wealthy men of the sixteenth century wore slippers made of soft leather, silk, or velvet, often in patterns matched to their outfits. Reproduced by permission of Gianni Dagli Orti CORBIS. Most wealthy men of the sixteenth century wore slippers made of soft leather, silk, or velvet, often in patterns matched to their outfits. Reproduced by permission of Gianni Dagli Orti CORBIS. part of the century were fond of very wide-toed shoes. Leather slipons, called duck's bill shoes, flared out at the toe. In their most extreme form they could be as wide as twelve inches at the toe and forced men to walk like a duck. This fashion faded by midcentury, and most wealthy men wore slippers made of soft leather, silk, or velvet, often in patterns matched to their outfit. Women also adopted an extremely impractical form of shoe called the chopine. These slippers sat atop a platform that ran the length of the shoe and could be as high as twenty-four inches. Chopines were very difficult to walk in....

Eighteenth Century Body Decorations

Eighteenthcentury Costume

Lany of the body decorations and accessories of the seventeenth century continued into the eighteenth century. Women and some men made their faces pale with white makeup made from lead powder, a corrosive substance that led to health problems for many and death for some. Red cheeks were also quite fashionable. Wealthy people used rouge made of crushed red beetles, called cochineals, on their cheeks. Others dabbed berry juice on their cheeks. In addition, women and some men continued to paste fabric patches on their faces to cover their smallpox scars. Masks also continued to be worn throughout the century. Fancy masks were worn to conceal the identity of the wearer at parties or at the theater green silk masks protected women's skin from the burning rays of the sun during the summer and black masks kept women's faces warm in the winter.

First Collections 19131919

19th Century Sailor Clothing

While on vacation in Deauville on the west coast of France in the summer of 1913, Boy Capel found a shop for Chanel to open on the fashionable rue Gontaut-Biron, and it was here that she presented her first fashion collections. With the outbreak of World War I in July 1914, many wealthy and fashionable Parisians decamped to Deauville and shopped at Chanel's boutique. It is believed that she sold only ready-to-wear clothing at this date. Chanel had cut her hair short during this period and many other women copied her bobbed hairstyle as well as bought her clothes. Chanel's time had come radical in their understatement, her versatile and sporty designs were to prove perfect for the more active lives led by many wealthy women during wartime.

Perennially Best Dressed

Flat White Boots

Best-dressed lists allow readers to imagine that a winning profile is open to all, when in fact the top spots invariably go to wealthy people in the public eye film stars and fashion industry or society figures. But the lists continue to fascinate as they impart lessons in style, self-presentation, and the ineffable quality of individual chic.

Mechanization of Production

Although production of ready-to-wear clothing began before sewing machines existed, an English clergyman had invented a hand-operated knitting frame near the end of the sixteenth century. Queen Elizabeth I refused to grant him a patent because she feared it would put English hand-knitters, using knitting needles and mostly working at home for contractors, out of work. But by the eighteenth century, England led the industrial revolution with a stream of inventions that eventually reduced prices of many goods and improved their quality so that ordinary people could afford them. By the later 1700s, English factories were turning out fabric on water- or steam-powered spinning and weaving equipment. Demand for inexpensive clothing gradually increased in England as lower-class people, some of them employed in the new factories, began to have a bit more money to spend, as well as a growing interest in fashionable clothing. London stores began to display appealing merchandise in lighted shop...

Stola In Ancient Rome

The stola was the staple garment of the married woman in ancient Rome. It was a long gown, generally sleeveless, that hung nearly to the feet. The stola was generally worn over a tunica intima, a light inner shirt. It was often fastened at the shoulders by small clasps called fibulae. The stola was typically worn with two belts one fastened just below the breasts, creating blousy folds, and another wider belt fastened around the waist. The stola could have several forms of decoration. A stola worn by a wealthier woman might have a limbus, a separate piece of fabric with many folds that was sewn into the hem, making it appear that another gown was worn beneath. Simpler stolas had a band of color or a pattern at the hem and many stolas had a band of color near the neckline. Stolas appeared to have been made in a variety of colors, from bleached white to red, yellow, and blue. Stolas were generally made of wool or cotton, but wealthy women might wear a stola made of silk.

Identity Status and Leadership

In the northwest coast of America, the confirmation of an inherited privilege or the authentication of a new rank or status occurs during a special type of public ceremony called a potlatch, which is especially well developed among the Kwakiutl, Haida, and Tlingit. A potlatch is often held over a period of days and accompanied by the display of objects and the giving of gifts to the guests. The acceptance of these gifts and the acknowledgment of their purpose are critical components of a potlatch. Although the ordinary dress of the northwest coast in the eighteenth century consisted of fairly plain cedar bark capes and blankets, when attending pot-latch events, people dressed in their best clothing and seated themselves according to rank. Ceremonial garments in this area are colorful, elaborately decorated, and spectacular. A wealthy man might wear a Chilkat or button blanket, a waist robe or apron, a shirt, leggings, and a headdress, often made of woven spruce root or cedar bark. To...

Paco Rabanne Francisco Rabaneda Cuervo

Rabanne's couture designs earned him a reputation of innovation, but these radical designs failed to make money. Ready-to-wear and licensing agreements financially supported Rabanne's artistically extravagant yet impractical couture lines until his last showing in 1999. As the sustenance of the business, licensing agreements numbered 140 by the 1990s. Agreements were signed for products such as bags, belts, home furnishings, leather goods, men's ready-to-wear, scarves, sunglasses, and umbrellas.

To View This Figure Please Refer To The Printed Edition

Thus, Hilfiger and his peers have not yet destroyed the couture world after all. Instead, by totally transforming its business activities since the last war, the Industrie de luxe may be 'seeing off' the upstart rivalry of Hilfiger et al. These leisure sportswear companies will, without doubt, continue to expand and flourish but it does not look as if they will overwhelm the elitist 'magic' of the couture product. It is true, however, that increasingly the 'success' of a design house is judged not only on its catwalk collections but on the sales figures of its franchised products and the billions of dollars of shares attached to its parent company.

American Indian Dress See America

AMIES, HARDY The British couturier Hardy Amies is best known as Queen Elizabeth II's longest-serving dressmaker. Supported by a highly skilled team in the workrooms at Savile Row, Amies dressed the queen and a small clientele of aristocratic and wealthy women for half a century. His men's wear and international licensee business had a lower profile but were crucial to the financial viability of the company. The licensee business benefited from Amies's position as dressmaker to the queen and from his staffs expertise, but its success ensured the survival of the couture house.

Fifteenth Century Body Decorations

As in the early Middle Ages (c. 500-c. 1500), bathing was not a regular practice throughout most of Europe, except for in Italy. Wealthy people might bathe once every few weeks and the poorer classes bathed far less frequently. In order to mask what must have been very strong body odor, wealthy people used large amounts of perfume. Perfumes of the fifteenth century were fairly simple, consisting of crushed blends of natural products such as flowers and spices. (The extraction of oils to create modern perfumes did not occur until the sixteenth century.) Some people carried small metal balls called pomanders that were filled with crushed flowers or herbs they waved these in front of their noses to mask offensive odors.

Growing Ferocity of Competition

By the late twentieth century, large European corporations, some outside the apparel business, competed to buy Paris couture houses and leading Italian design firms, while other high-end design houses gobbled up each other. Sales of expensive apparel and luxury accessories to wealthy people and entertainers all over the world burgeoned in the 1990s' economic boom. Designer-name firms outdid each other by opening showy retail stores, designed by avant-garde architects, in major cities around the world, but some of these stores attracted more lookers than purchasers and soon closed. Young design-school graduates from England, Belgium, New York, California, and elsewhere started their own small firms only a lucky few achieved enough recognition or financial backing to stay in business.


The peplos was usually woven to order for each individual. Most peplos were made of wool, though some wealthy women had them made of fine linen or silk. Wealthier Greeks could afford to have their clothing dyed in bright colors and patterns stripes and dot prints were popular for peplos. The garment was a long rectangle, from six to ten feet in width and usually one or two feet longer than the height of the wearer. When worn, the fabric was folded over at the top, so that about eighteen inches of fabric hung down, then the folded fabric was folded again lengthways to form a tube with one open side. The wearer stepped into the tube and secured the top at the shoulders with fibulae, fasteners that resemble safety pins, creating a garment with a sort of cape or overblouse.


The bliaut was a long gown worn by wealthy men and women beginning in the 1100s. Along with the houppelande, a long, full, outer garment, the bliaut was one of the long garments most associated with the late Middle Ages (c. 500-c. 1500). One of the most striking things about the bliaut was the sheer amount of fabric used in its construction. Bliauts had many, many folds and drapes, and It is thought that the bliaut originated in France, but it was worn by wealthy people throughout Europe. None of the actual garments have survived to the present day, so almost all that is known about the garment comes from statues that have been preserved from the Middle Ages at the Chartres Cathedral of Notre Dame in France.

Roman Clothing

Roman Clothes

Romans were also a sharply divided society, with a small number of very wealthy people and masses of poor people. Wealthy Roman men simply did not go outside without a toga draped over a tunica. Respectable women also had an official outfit, consisting of a long dress called a stola, often worn beneath a cloak called a

Scents of Royalty

That reached its heights in the early 1700s, particularly during the reign of Louis XIV. It was then that European royalty decided to have their fragrances at hand night and day no matter where they might be. Aromatic jewelry designed by master craftsmen was in great demand. In fact, royalty had their own private jewelers and perfumers to cater to their every whim. Chatelaines, rings, earrings, belts, and bracelets were considered indispensable. Wealthy men, women, and children all wore decorative aromatic accessories.

Peaked Shoe

T D HIS fine example of a fourteenth- or fifteenth-century peakecl i shoe, or Crackoive, was the kind of foot-gear worn by wealthy people at a time when costume generally had reachcd an extravagant stage the peak or point extended so far beyond the foot that it required a stuffing of either hav, moss, or wool to keep it in shape, and in order to allow the wearer to walk the point had to be turned upwards, and fastened to the knee by a slender chain or a coloured cord. Sometimes these lengthy points were twisted into the shape of a ram's horn. This peaked shoe measures from the point to the heel 15 inches the sole throughout is of one piece of leather, as is also the upper part of the shoe there are holes at the inner side for the lace, which is still in situ, and the instep iiap, some inches long, is still remaining, though not standing up as it would have done originally. The sole is extremely thin, being only of an inch at the tip and at the thickest part, which indicates that it...

Oleg Cassini

Oleg Cassini 1960s Pillbox Hats

He arrived in New York all he had was 25, a tennis racquet, and a dinner jacket. Poverty was a new experience for the count and surviving in Depression-era New York was difficult. To make money, Cassini played in tennis tournaments along the East Coast, which allowed him to mingle with the elite. He tried to retain a position as a fashion designer, working for Jo Copeland in 1936, William Bass in 1937, and James Rotherberg in 1938 and 1939, but he never achieved any measure of success.

Platform Shoes

1970 Shoes

Platforms are shoes with heavy soles that can range from half-an-inch to six-inches thick and made their first memorable appearance during the 1600s, when shoes with high platform soles called chopines were popular among wealthy women in Venice, Italy. During the 1930s cork-soled shoes with wedge-shaped platform soles became popular among many women, but these shoes were fairly conservative, usually having a platform of an inch or less.


Some clothing styles imitated the Far East. The most popular was the banyan, an informal robe, worn by men at home instead of a justaucorps, or a suit coat. Some styles of banyan looked very similar to the cheongsam worn in early Asian cultures. The robe had a stand-up collar, long sleeves, and its opening crossed over the chest to tie just under the right shoulder. Other banyan styles imitated Indian jackets that buttoned up the front and were called Indian gowns. Banyans were made out of expensive silk or printed cotton. They were so popular in the late eighteenth century that many wealthy men had themselves painted wearing a banyan and cap instead of more formal clothing, which had been the norm for centuries. Other oriental styles and patterns would become popular in future eras, including the 1920s and the 1980s.

Bill Blass

Blass, referred to as the Genius of Licensing, holds over forty agreements that total over three million dollars in revenue. One of his most unusual licensing agreements occurred in the 1960s when he briefly licensed his name to chocolates. Blass maintains licensing agreements with several

And Incas

Inca Middle Ages

The fabric used for clothing held great importance among the Mayans, Aztecs, and Incas. In each culture the type of cloth and the decoration applied to garments signaled the wearer's status in society. The Aztecs passed a law that forbade poor people from wearing cotton, and among the Incas only the wealthy could wear a specially woven cloth called cumbi, a fine, soft cloth often made of baby alpaca wool that was valued as highly as gold. Similarly, the clothes of the poorest members of society were quite plain. Poor men, for example, would wear simple loincloths and cloaks woven from plant fiber with little or no added decoration, while wealthy men dressed in brightly colored and intricately patterned clothes embellished with embroidery, feathers, or golden or shell beads.

Dagging and Slashing

Slashing Garment

Performed on all variety of garments, from men's doublets, a padded overshirt, and breeches to women's gowns and even to shoes. The practice of slashing was introduced by Swiss army troops following their defeat of Charles the Bold (1433-1477), duke of Burgundy, in 1477. As the tattered Swiss troops ransacked the villages of Burgundy, a region of present-day France, they cut up bits of tents and banners and threaded these scraps through holes in their own garments. The effect was to have brightly colored pieces of fabric poking out from underneath an outer garment. Upon their return home, wealthy people began to imitate the fashion and it soon caught on throughout Europe. Slashing remained popular in Europe through the 1500s.

Clothing 194660

1950s Fashion For Teenage Girls

In 1947 French designer Christian Dior (1905-1957) introduced a collection of women's clothes that shattered all the wartime rules. Called the New Look, this collection was most notable for its long, billowing skirts with many pleats. One of his dresses used fifteen yards of fabric. Many people were offended by the excess of Dior's collection. They felt his dresses were an insult to a world economy that was still deeply troubled after the war. But Dior's New Look soon became extremely popular. Wealthy women clamored to wear his dresses, and manufacturers soon copied his styles, introducing a range of clothing modeled on the New Look. For the next seven years, Dior's look, which included soft, rounded shoulders, a narrow waist, and accessories like gloves and umbrellas, was the single biggest influence on fashion. Another major challenge to the dominance of the Paris fashion houses was the rise of the ready-to-wear clothing industry controlled by large international corporations....


Native Woven Designer Capes Ponchos

Buffalo cloaks, or robes, were worn by many tribes but were prized possessions of those in the Great Basin (a desert region in the western United States), and on the Plains and the Plateau. The Cheyenne of the Plains especially valued cloaks made of white buffalo. Sioux Indians of the Plains decorated their buffalo robes with painted symbols to indicate their age, sex, marital status, and tribal status, among other things. Sioux men trying to find a wife wore buffalo robes with horizontal strips that featured four medallions they also painted red handprints on their cloaks if they had been wounded in battle or black handprints if they had killed an enemy. In California only very wealthy men wore cloaks made of feathers, and waterproof turkey feather cloaks were highly prized among the Delaware Indians of the Northeast.

Jumper Gown

In 1908 jumper gowns were highly fashionable among American women. They were designed to emphasize a slim waist and full hips. They featured heavy flared, pleated skirts made up of four or more panels. The suspenders were cut in one piece of fabric extended from the skirt and joined at the shoulders by straps of velvet ribbon. Some skirts had as many as nine panels of fabric and were so long the hemlines dropped below the ankles and touched the floor. Hemlines might measure as much as five-and-one-half yards of fabric at the bottom. Jumper gowns of this sort were worn by wealthy women who had dressmakers sew them in silk, taffeta, satin, or linen fabrics. Depending upon the fabrics and the trims, jumper gowns could serve as dress-up outfits or casual wear for leisure activities.

Two Bright Lights

There has been a lot of excitement around Two Bright Lights (http twobright-lights.com home.php), an image sharing social network for wedding photographers and wedding vendors. This site provides a way for you to share your images with vendors at the weddings you have photographed, thus helping to increase your bookings via vendor referral and to get your gorgeous images in front of more potential clients. Furthermore, this Web site offers a quick and easy way to submit your images to a variety of wedding publications and blogs to increase your chances for publication and exposure. The more publications you have, the more prestige and exposure you attract and the more money you make.

Nail Polish

Around 3000 b.c.e. wealthy people in ancient China used a mixture of beeswax, egg whites, gelatin, and dyes to paint their fingernails red, black, gold, and silver. Ancient Babylonians and Egyptians also colored their nails with natural substances such as henna powder, a reddish powder or paste made from the dried leaves of the henna bush, using color to indicate the wearer's rank in society. Even men in Egypt and ancient Rome sometimes painted their nails and lips red before going into battle.

Excellence in Design

Blahnik's creations received considerable publicity in the early 1980s, but his business was not running smoothly. Searching for alternatives, he was introduced by Dawn Mello, the vice president of Bergdorf Goodman, to an advertising copywriter named George Malke-mus. Malkemus and his partner, Anthony Yurgaitis, went into business with Blahnik in 1982. They closed the Madison Avenue shop, opened a store on West Fifty-Fourth Street, and limited the distribution of Blahnik's shoes to such prestigious retailers as Barneys, Bergdorf Goodman, and Neiman Marcus. By 1984 the newspaper USA Today projected earnings of a million dollars for the New York shop alone. Manolo Blahnik shoes began to appear on the runways of designers from Yves Saint Laurent, Bill Blass, and Geoffrey Beene to Perry Ellis, Calvin Klein, Isaac Mizrahi, and John Galliano.

Paris Couture

Although wealthy people still wore custom-made clothing in the 1800s, the guilds were gone by the time Charles Worth, ironically an English immigrant to Paris, opened the first couture house in the mid-nineteenth century. The Paris couture, offering exclusive new styles for women to be made-to-order each season, reached its peak volume in the late 1800s and early 1900s. Only the richest women could afford couture apparel, and volume was never large, but the couturiers were masters of publicity. Actually, the practice of holding well-publicized showings of new fashions each season originated in England not with clothing designers but with such enterprising businessmen as Josiah Wedgwood, who in the late eighteenth century invited well-to-do customers to seasonal openings of his latest designs in tableware and decorative ceramics (See McKendrick, Brewer, and Plumb).


Fashion Illustration 1975

Perhaps the most important accessory for wealthy women in the seventeenth century was the folding fan. Made of fine materials such as silk or decorated paper, stretched between handles of ivory, carved wood, or even fine gold, and studded with jewels, fans were an item used to display the user's wealth and distinction. Women carried their fans dangling from decorative ties at their waist or held them in the hand. Late in the seventeenth century and through the eighteenth century fans became a prime prop in women's social performance. Women coyly hid their faces behind fans, waving them delicately in the air, in the flirtatious courtship rituals of the period. There was an art in using a fan, writes fashion historian Ruth M. Green, and some ladies wielded it with such self-conscious stylishness that they provoked the satirists, who ridiculed the exaggerated manners of some fan wavers. Perhaps the most important accessory for wealthy women in the seventeenth century was the fan, which...

Byzantine society

Byzantine society was very hierarchical, which meant that people lived at different levels of rank and status. At the top of the society was the emperor, who made the major decisions affecting the empire. He was aided by an inner circle of advisers and bureaucrats. There was also a Byzantine senate, which prepared laws for approval by the emperor. Emperors usually chose their successor, either a son or a trusted adviser. The emperors ruled with the help of a strong and well-trained army that had as many as 120,000 members. Surrounding the emperor was an aristocracy of very wealthy people the major cities also had a small middle class, made up of shop owners and traders. The majority of the population, however, was poor and either labored in the city or grew their own food on small plots of land that were controlled by wealthy landlords.

Empowered Success Bible

Empowered Success Bible

Get All The Support And Guidance You Need To Be A Success At Everything In Your Life with Empowered Success Bible. Success, just like any other thing is definitely not an accident. It happens for a reason and on purpose, whether people strive for it or not. Success is a wonderful world and concept. People have always been striving for it all through their lives. And many people have long been pursuing success; others start their journey towards it and often find it immediately. Success to some means domination and capture of another.

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